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Morning, 19th century

James D. Smillie

Not on View

%C2%A9 Marcia Feigin

New York City Subway #1, 1973

Marsha Feigin; Publisher: Impressions Workshop, Boston

Not on View
standing blacksmith with short, dark hair and beard, with his shirt open, holding a white-hot metal bar with a pliers on top of an anvil; silhouette of another figure in front of fire at left; shadows at edges

A Blacksmith, 1833

EugĂšne Delacroix

Not on View
sketchy image of seated woman in profile from PL, with head turned slightly to her left, wearing a large hat and a patterned coat; face of second figure at left, ULQ; black and white

%C2%A9 Sue Ferguson Gussow

The Brocade Coat, 1963

Sue Ferguson Gussow

Not on View
smudgy, grey image; horizon line with triangular shape and light linear marks and splotches. Not signed Aquatint on heavy wove paper, Delteil i/vi (one of two impressions of the first state (of six)

Rain Effect, c. 1879

Camille Pissarro

Not on View
dark scene with white highlights; building ruins at L; two wagon wheels; skeleton, LRC; bare tree trunks

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Leuchtkugel erhellt die Monacu-ferme (A Rocket Flare Lights Up the Monacu-ferme), plate 17 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
dark night landscape filled with craters in white

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Trichterfeld bei Dontrien, von Leuchtkugeln erhellt (Field of Craters near Dontrien, Illuminated by Rocket Flares), plate 4 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
printed image of six zebras running in a herd formation; printed in black on red paper; black background with gradated specks in URC, ULC, and LRC

%C2%A9 Mario Avati %2F Artists Rights Society %28ARS%29%2C New York

Six Running Zebras, 1957

Mario Avati

Not on View
black and white print of six zebras running together in a herd; background is mostly black with tiny white gradations in URC, ULC and LLC

%C2%A9 Mario Avati %2F Artists Rights Society %28ARS%29%2C New York

Six Running Zebras, 1957

Mario Avati

Not on View
an intricately patterned, multi-color rug serves as the background for several prints carefully placed just right of center; a brown feather with yellow specks rests next to an orange and yellow print at left, and two netsuke, one green and one yellow, sit on top of two prints at right; a brown and black turtle shell is directly above the two prints at right; a spray of cherry blossoms enters the image frame at right; a brown, black, white, and red bird is perched atop a brown wooden cage in the ULC

%C2%A9 Katja Oxman

A Lane of Yellow Led the Eye, 1993

Katja Oxman

Not on View
diptych showing an interior space with patterned rug covered in prints, which have been neatly and intentionally placed; on the left side of the image there are several gray and white rocks that appear to serve as paper weights for the prints; the left also hosts a window looking out on a wooded landscape with a brown bird sitting on a branch at left center; a small bee rests on the window sill at left; in front of the window on a decorative box is a potted purple iris; on the right side of the image there is no window, just a solid, maroon colored wall and an undecorated box with a brass clasp that serves as a stand for three wilting irises in purple, red, and orange, which are loosely tied to two grey sticks for support; at bottom center on the right side two peaches and a small bird's nest with three eggs are obscured by two of the prints; the entire image is rendered in deep blues, greens, purples, golds, and pinks; at center where the left and right sheets come together is an abundant bouquet of flowers

%C2%A9 Katja Oxman

If Bird the Silence Contradict, 1997

Katja Oxman

Not on View
highly decorated rug mostly obscured by a number of prints--landscapes and flowers; the prints are secured to the rug with rocks, a triangular-shaped box, and a bird's nest with a single blue egg; there are two bees on the largest of the two prints; a dried hydrangea branch arches over the box; the wall of the room is a dark red, almost maroon

%C2%A9 Katja Oxman

Of Yellow Was the Outer Sky, 1995-1996

Katja Oxman

Not on View
abstract image; grey ground; black biomorphic forms

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Snow in Jerusalem, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Cow's Paradise, c. 1930

Clara Gardner Mairs

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Baby Moses, c. 1930

Clara Gardner Mairs

Not on View

%C2%A9 Martha Diamond

Intersection, 1985

Martha Diamond; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Marcia Feigin

Tennis, 1972

Marsha Feigin; Publisher: Impressions Workshop, Boston

Not on View

La premiÚre leçon, 19th century

Louis Legrand

Not on View

Grotesque Tree, Del Monte, California, 19th century

George Taylor Plowman

Not on View
Plate 10

%C2%A9 Juan Genov%C3%A9s %2F Artists Rights Society %28ARS%29%2C New York

Silencio, Silencio, 1970

Juan Genoves

Not on View

The Musician, 1768

Jean-Baptiste Le Prince

G317

The Passage, 1879-1885

FĂ©lix Buhot

Not on View
From suite of five prints. Former Classification: Prints - Portfolio

%C2%A9 Robert Mangold %2F Artists Rights Society %28ARS%29%2C New York

Plate B, from Five Aquatints, 1975

Robert Mangold; Publisher: Crown Point Press, San Francisco

Not on View

Bataillon en marche, 19th century

Pierre-Georges Jeanniot

Not on View
five farmers harvesting grain--two standing, three bending over

Les Batteleurs, 19th-20th century

Manuel Robbe

Not on View
four-sided form with arched top made up of three colored panels--grey, dark green and maroon; two grey ovoid shapes inside form

%C2%A9 Robert Mangold %2F Artists Rights Society %28ARS%29%2C New York

Untitled (FCPA), 1995

Robert Mangold; Publisher: Brooke Alexander Editions, New York

Not on View
image of two buildings on a ledge rendered in gold-colored pigment against a dark blue sky; left building resembles a tower with a green slanted roof, green flag at top, and square windows moving up tower to top; right building is a small red house with a slanted roof; dark shading around bottom of both buildings

%C2%A9 Miyamoto Noriaki

Old Memory, 2015

Miyamoto Noriaki

Not on View
abstracted female nude figures standing and seated; largest figure has her arms on her head with elbows akimbo; figures are drawn with thick, black lines and colored with deep, warm tones; abstract background in blue and green

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Autumn (Bathers), c. 1938

Georges Rouault

Not on View
line drawing style with thick black outlines; image of a seated woman wearing a long dress with yellow stripes on skirt holding a blue book (?) on her lap; green table with drum-shaped blue container with yellow and blue flowers at left; green background at left; blue background at right; received framed in blonde wood frame

Marie-José en robe jaune (Marie-José in a Yellow Dress), 1950

Henri Matisse

Not on View
publisher: Sagot, Paris, 1899

A Beggar, 1899

Edgar Chahine

Not on View
interior view with orange and green trees visible out window at top; yellow orchid, ULQ; red box with a padlock and key with a bird's nest on top to right of orchid; red bowl with scalloped edge holding a bird feather at right below center; three bird feathers at bottom wth pocket watch and yellow rectangle with Asian text; images of cat sculpture, fruits and flowers with bird next and yellow wings on top of a rectangle with predominately yellow linear and floral designs with birds below center

%C2%A9 2015 Katja Oxman

Held Slanting in the Sky, 2015

Katja Oxman

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Winter Forage, 1954

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Scissor-tailed Flycatcher, 1953

Maurice R. Bebb

Not on View
printed with essence of turpentine

Near Gravesend, Remembrance of the Thames, c. 1880-1881

FĂ©lix Buhot

Not on View
From suite of five prints. Former Classification: Prints - Portfolio

%C2%A9 Artists Rights Society %28ARS%29%2C New York

Plate A, from Five Aquatints, 1975

Robert Mangold; Publisher: Crown Point Press, San Francisco

Not on View

Frogs, 1894

Charles-Louis Houdard

Not on View

Landing in England, 1879

FĂ©lix Buhot

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Little Dogs and Ladder, 20th century

Clara Gardner Mairs

Not on View
matted with P.1,906

Hermangarde's Lament, from "An Old Mistress", c. 1874-1880

FĂ©lix Buhot

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Little Dog with Ball, c. 1930

Clara Gardner Mairs

Not on View
From suite of five prints. Former Classification: Prints - Portfolio

%C2%A9 Robert Mangold %2F Artists Rights Society %28ARS%29%2C New York

Plate D, from Five Aquatints, 1975

Robert Mangold; Publisher: Crown Point Press, San Francisco

Not on View
From suite of five prints

%C2%A9 Robert Mangold %2F Artists Rights Society %28ARS%29%2C New York

Plate E, from Five Aquatints, 1975

Robert Mangold; Publisher: Crown Point Press, San Francisco

Not on View

Moonrise at Dinard, 1891

FĂ©lix Buhot

Not on View
3 standing women bathing in a lake; reclining woman at R wearing a hat and pink drapery; white parasol in LRC

Bathers at the Edge of a Pond, c. 1905

Richard Ranft

Not on View

National Holiday on the Boulevard de Clichy, 1878

FĂ©lix Buhot

Not on View

Port with Seagulls, 1886

FĂ©lix Buhot

Not on View
U. S. 19th century A Box 1; Signature pencilled on bottom

Grand Canyon - Evening Glow, 19th century

Benjamin C. Brown

Not on View

Wayfarers, 1899

Edgar Chahine

Not on View
From suite of five prints. Former Classification: Prints - Portfolio

%C2%A9 Robert Mangold %2F Artists Rights Society %28ARS%29%2C New York

Plate C, from Five Aquatints, 1975

Robert Mangold; Publisher: Crown Point Press, San Francisco

Not on View
Plate 4

Pompone or Kew Blush Camellia. Double Red Camellia., 1819

Clara Maria Pope; Publisher: J. & A. Arch Cornhill, London; Printer: Samuel Curtis

Not on View
rock wall with drain; building at top

%C2%A9 Tanaka Ry%C5%8Dhei

Horikawa, 1966

Tanaka Ryƍhei

G226

building with steep thatched roof; man squatting below building next to a box of bottles near a bicycle; boxes of bottles, beer ads, and soda ads in front of shop

%C2%A9 Tanaka Ry%C5%8Dhei

Thatched roof No. 10, 1970

Tanaka Ryƍhei

G227

black and white image; two houses under a large tree; grass leaves on right, left and bottom of image; clothes line to left of houses

%C2%A9 Tanaka Ry%C5%8Dhei

My old home, 1969

Tanaka Ryƍhei

G226

wooden pagoda with on stone base off of wide pebbled path; wooden boards at flaring foot; balcony and slatted windows; wide, dramatic roof

%C2%A9 Tanaka Ry%C5%8Dhei

Temple bell tower (Daitokuji), 1964

Tanaka Ryƍhei

G226

old style Japanese building with high pitched thatched roof with opening in peak at top; shaded windows, open door, torn window covering at L; grasses in foreground

%C2%A9 Tanaka Ry%C5%8Dhei

Thatched roof No. 13, 1972

Tanaka Ryƍhei

G227

pitched roof homes of various sizes behind a wall tucked into a forest;

%C2%A9 Tanaka Ry%C5%8Dhei

House in a grove, 1966

Tanaka Ryƍhei

G226

black and white etching of a cut lotus root (?) lying on its side

%C2%A9 Tanaka Ry%C5%8Dhei

Bamboo sprout, 1969

Tanaka Ryƍhei

G226

black and white image; building with large flat room and smaller flat roof on left; slatted roof on top

%C2%A9 Tanaka Ry%C5%8Dhei

Yamato farm house, 1965

Tanaka Ryƍhei

G226

bouquet of flowers

%C2%A9 Tanaka Ry%C5%8Dhei

Flowers, 1970

Tanaka Ryƍhei

G226

ruined thatch-roofed building

%C2%A9 Tanaka Ry%C5%8Dhei

Ruined house No. 2, 1966

Tanaka Ryƍhei

G226

passageway on street with tile roof overhang

%C2%A9 Tanaka Ry%C5%8Dhei

An alley, 1970

Tanaka Ryƍhei

G227

spider against black ground over center of flower

%C2%A9 Tanaka Ry%C5%8Dhei

Chrysanthemum, 1969

Tanaka Ryƍhei

G227

turquoise ground with grey and black spots and speckles -fewer at center of image; four "talk balloons" with text in four different fonts: "There they goes!...", " And why, my dear friends and fellow sufferers...", " There is no time left for polite conversation", "Storm! Storm comin'!..."

%C2%A9 Fred Wilson

Convocation, 2004

Fred Wilson; Publisher: Crown Point Press, San Francisco

Not on View
two bare trees on yellowish tan background

%C2%A9 Sylvia Plimack Mangold

Nut Trees (Yellow), from the "Nut Trees" series, 1985

Sylvia Plimack Mangold; Publisher: Jeryl Parker Editions, New York , and Simmelink/Sukimoto Editions; Printer: Doris Simmelink; Printer: Sarah Todd

Not on View
repeating layered squares in nine rows; four rows of squares at top include text from birth certificates--printed and hand written--against a dark ground, with painterly blue, red and yellow stripes over the top; five rows of squares at bottom are hand written names and numbers with similarly colored painterly stripes over the top; squares form a basketweave pattern

%C2%A9 McArthur Binion%2C Paulson Fontaine Press%2C publisher

DNA Etching I, 2015

McArthur Binion; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View
abstract image; mottled grey forms with tan arc from left edge extending toward LRC; green wavy line from tan arc through topmost grey form; two grey lines on tan arc; received in silver frame

Message from Degas, 1972-74

Helen Frankenthaler; Printer: Donn Steward , at ULAE workshop; Publisher: Universal Limited Art Editions (ULAE)

Not on View
front view of two story house with white siding, frown framing, and green shutters; trees peeking over brick wall in front yard; ochre colored background

%C2%A9 Tanaka Ry%C5%8Dhei

Kobe No. 2, 1971

Tanaka Ryƍhei

G227

muted green-gray background with a group of fish lying on a thin, torn net

%C2%A9 Tanaka Ry%C5%8Dhei

Dry fish, 1967

Tanaka Ryƍhei

G226

yellow, red, and blue pansies

%C2%A9 Tanaka Ry%C5%8Dhei

Pansy, 1969

Tanaka Ryƍhei

G227

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Droit de regarde, 1968

Pierre Alechinsky; Publisher: La Hune, Paris; Printer: Jean Clerte , chez P.A. a Bougival

Not on View

Les Amateurs de Plafonds au Salon, 1824

Louis-Philibert Debucourt; Artist: after Carle Vernet; Publisher: chez Ch. Bance & Aumont, rue J.J. Rousseau, No. 10

Not on View
Caricature

A Real Rubber!/ At Whist, c. 1824

M. Egerton; Engraver: George Hunt; Publisher: George Hunt

Not on View
Christ as a boy, viewing a scroll shown to him by Joseph; 3 angels with a wreath behind Christ and Joseph; Mary at R, feeding birds; 2 figures in shadows at R

The Holy Family in a Domestic Setting, 1809

Karl Russ

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

La filiacion, 1797-1798

Francisco José de Goya y Lucientes

Not on View
nude figure, seen from back with legs stretched to R, arranging three dolls in front of a side chair; figure seated on floor

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Minne aux poupées, 1907

Jacques Villon

Not on View

%C2%A9 Marino Marini %2F Artists Rights Society %28ARS%29%2C New York

The Surviving Rider, 1963

Marino Marini

Not on View
Plate 2

Rightly or Wrongly, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 34

On Account of a Knife, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 57

The Healthy and The Sick, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 6

It Serves You Right, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 14

It's a Hard Step, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 28

Rabble, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 5

Y son fieras (And they are like wild beasts), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 52

They Do Not Arrive In Time, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 2

Por Temor no Pierdas Honor (Do not lose honour through fear), 1816-1819

Francisco José de Goya y Lucientes

Not on View
Plate 68

What Madness!, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 51

Thanks To The Millet, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 45

And This Too, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ni asi la distingue, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

¿Está Vm
 pues, Como digo
 eh! Cuidado! si no!..., 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Tu que no puedes, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Mala noche, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Aquellos polbos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

De que mal morira?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Tantalo, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Tragala perro, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Pobrecitas!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

ÂżNo hay quien nos desate?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Estan calientes, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Miren que grabes!, 1797-1798

Francisco José de Goya y Lucientes

Not on View

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